"Dynamic Legacy Ladder" Chosen for F-Stop Magazine's Group Exhibition on Color

So excited to be rubbing virtual shoulders with photographers from 33 countries as my image Dynamic Legacy Ladder was included in F-Stop Magazine's Color themed issue.

F-Stop Editor Christy Karpinski told me that there were probably 2500 images submitted from around 330 different photographers.

Dynamic Legacy Ladder

I strongly urge you to visit the exhibit and engage with the diverse approaches that employ a single medium to interpret the theme of color.  It is a honor to join this legion of creatives.

You can find my image if you scroll halfway down the exhibit.

View the Exhibit

I have been working on a series of digital in-camera multiple exposures since 2007.  See these Reality-Based Abstractions.

I broke new ground with Dynamic Legacy Ladder by choosing to make one exposure in color and the other in black and white.  This new direction can be traced directly to my recent collaborations with photographer Jaypix Belmer.  Big thanks to Jaypix for the inspiration!

Dynamic Legacy Ladder in F-Stop Magazine

Big thanks as well to F-Stop Magazine's Editor Christy Karpinski for providing a showcase that unifies humanity through art.

Professor John Nordell teaches courses in the Arts, Media, and Design Program at American International College in Springfield, Mass. He blogs about the creative process at CreateLookEnjoy.com. Instagram: create.look.enjoy

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Moment of Focus Exhibit Curated by Jaypix Belmer - Celebrating the Past, Present and Future of Boston Hip-Hop

Pacey Foster from the Massachusetts Hip-Hop Archive at UMass Boston connected me with Jaypix Belmer, as Belmer was curating an exhibit on Boston Hip-Hop at Black Market Nubian in Roxbury, MA.

During our initial phone conversation, Belmer and I hit it off.  We discovered a mutual love of creating multiple exposure photographs.  We also both find inspiration in the work of photographer Eugene Richards.

I was honored to have my 1980s images of the Boston Hip-Hop scene on view along with Belmer's contemporary images.  The exhibit coincided with Hip-Hop's 50th anniversary.

Photo by Jaypix Belmer

The Boston Globe's James Sullivan attended Moment of Focus and wove vignettes from the event into his article:  In the early days of hip-hop, Boston made its own history.

He made mention of me and my work:

"His photos from various venues around the city were a prominent feature of the recent “Moment of Focus” exhibit, and they made up the bulk of “Hip-Hop: Seen/Unseen,” an exhibit that ran from August until mid-November in Dewey Square on the Rose Kennedy Greenway.

“When I see my photos, it’s about the youth,” said Nordell, now a professor at American International College in Springfield. He recently donated his negatives to the Hip-Hop Archive."

My images were used to illustrate the article.

A history of Hip-Hop in Boston without acknowledging Rusti Pendleton, shown above scratching with his toes, would be woefully incomplete.

Photo by James Bynum

A scant few of my Boston Hip-Hop images were published in the 80s. The rest would still be unseen if record store owner and historian Brian Coleman had not tracked me down to find out if I had more.  Thanks again Brian!

A big thank you as well to Jaypix Belmer for including my work in the Moment of Focus Hip-Hop Exhibit.

Professor John Nordell teaches courses in the Arts, Media, and Design Program at American International College in Springfield, Mass. He blogs about the creative process at CreateLookEnjoy.com and teaches online Zentangle drawing workshops.  

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Hip-Hop: Seen/Unseen - My Archival Images Included in Boston Outdoor Exhibit

Having my images from the 1980s included in the Hip-Hop: Seen/Unseen exhibit is a highlight of my creative life.  I recently donated prints, negatives and writings to The Massachusetts Hip-Hop Archives at UMass Boston.  My hope was that the community and scholars could benefit from access to my work.  This Boston exhibit is near South Station, in Dewey Square Plaza on the Rose Kennedy Greenway.  The following images and curatorial statement are from the opening reception.  The exhibit runs through October.

FEATURING
The Massachusetts Hip-Hop Archive at Mass Boston, the personal collection of Chico Silvera, and select photography by John Nordell, John Brewer, Gabriel Ortiz, and more.

Curated by: Liza Quiñonez @streettheorygallery, Edo G @edogpics, Chico Silvera @chicosilvera77, and Pacey Foster @libraryofvinyl

Visitors examine my photographs on the left panel.

In honor of Hip-Hop's 50-year golden anniversary, Street Theory and The Greenway Conservancy are proud to present Hip Hop: Seen/Unseen, showcasing a carefully curated collection of early concert flyers and rare photographic archives from 1979 to the present. This mini-exhibition, nestled within the Dewey Square Plaza on The Greenway, is a tribute to the raw, captivating allure of Hip-Hop and its deeply embedded roots in Boston's social and cultural tapestry.

T. Nyne looks on as curator Chico Silvera points to T. Nyne's younger self in one of my images from The B-Town Rap Battle held in 1986 at The Institute of Contemporary Art.

Hip-Hop: Seen/Unseen explores the rich cultural heritage, historical journey, and pervasive influence of Hip- Hop in Boston, thereby exposing the vibrant yet often hidden heartbeat of the City.

So thrilled to be part of this historic event.  Note the Boston Bruins logo manhole cover.

THE EXHIBIT
Illuminated by Problak's 2022 mural Breathe Life Together as the backdrop, the exhibition strives to create an authentic portrayal of Hip-Hop's far-reaching influence on Boston's culture. It aims to provoke conversations about music's role in everyday life, the power of grassroots art, and now such movements can redefine a city's identity.

A panel discussion was held at the base of Problack's mural: Breathe Life Together

The show flyers trace the roots of the movement by capturing the genesis of the New York and Boston Hip Hop scenes, while the photographs transcend mere portrayal of iconic figures. Instead, they spot daily life, jam sessions, and gatherings through the lens of the five core elements of Hip-Hop: MCing, DJing, breakdancing, graffiti, and knowledge.  These artifacts reveal how Hip-Hop has been intricately woven into the fabric of Boston's everyday life, profoundly influencing its language, fashion, and communal spaces.

The event featured vendors, break dancing, an expert panel discussion, free food, graffiti artists at work and giveaways.

A SPECIAL THANK YOU TO OUR SUPPORTERS
The Greenway Public Art Program is exclusively funded through grants and private sources, Hip-Hop Seen/Unseen, 2023 was made possible through the generous support of The Barr Foundation, The Greenway Business Improvement District, Goulston & Storrs, and G. Ortiz Photography.

Trailblazing Rusti Pendelton stands between me and curator Pacey Foster.  He was known as Rusty the Toe Jammer as he scratched records with his feet.  A set of my images documenting him performing was in offered in Sotheby's first ever Hip-Hop Auction in 2020.  Click and scroll down to view.

FOR MORE INFORMATION, PLEASE VISIT:
The Massachusetts Hip-Hop Archives at UMass Boston - www.masshiphoparchive.org

Located across from Boston's train station on busy thoroughfare, the exhibition garnered attention from passersby.

I had a chance to meet and connect with another featured photographer John Brewer.  Of course, we were talking technique and cameras. Find him at @jbrewerphoto

Mad Mike of The Floor Lords poses with archival images (not mine). Curator Pacey Foster remarked, "It's magical seeing grown adults turning back to teenagers when they see themselves."  The Floor Lords, a Hip-Hop Breakin Crew since 1981, performed at the event and posted a wonderful video collage.  @floorlordsboston

Shawn Peete then and now.  He poses in the middle of the lower photo that I captured during Maurice Starr's 1986 Hollywood Talent Night.

Professor John Nordell teaches courses in the Arts, Media, and Design Program at American International College in Springfield, Mass. He blogs about the creative process at CreateLookEnjoy.com and teaches online Zentangle drawing workshops.  

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Stepping Out of the Comfort Zone Part 327

I contacted Anna Hepler about doing a collaborative project involving her creating art and me playing drums. Anna is a friend, mentor, brilliant artist and collaborator on previous projects.

My father played jazz drums, leading a combo.  I inherited his bare-bones drum set.

At a minimum he wore a coat and tie for gigs; for fancy events, he and his band wore tuxedoes.

Following my father’s lead, I suggested to Anna that we dress up for our art and music experience.

We had a brief planning phone call before getting together.

When I arrived at the former industrial building that houses her studio, Anna emerged on the loading dock and upon seeing each other we just burst into laughter.

I said, “If I ask my students to step out of their comfort zone, I have to do it myself!”

She replied, “Yes… but for some people stepping out of their comfort zone means using more yellow paint, not getting dressed up and doing this (entering unexplored territory).”

We decided to do one take with me as leader.  Then another take with her as leader. And then one with both of us leading.

We changed outfits for each experimentation.  I somehow thought the video camera angle of view would only capture my waist up coat and tie formality.

The first take was slightly stilted as we were like two individuals operating mostly independently.  By the second take, a synergistic, natural call and response type of thing emerged.

We hoped ultimately for cohesive improvisation. And found it.

It was a joyous experience.  We each brought our own strengths to table.

Reflecting on the collaboration, we at first discussed possible meanings and interpretations.   In the end, we wanted the performance to speak for itself.

As Anna concluded, “I want to treasure the experience as an experience.”

My dad performs at a gig:

Rod Nordell

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